Tuesday, 21 July 2015

Monday, 20 July 2015

Thursday, 16 July 2015

Saturday, 11 July 2015

THE HIP-HOP ARTIST HAS AN UNLIKELY MUSE: JERRY SEINFELD. NOT THAT THERE IS ANYTHING WRONG WITH THAT.


When you think of rappers referencing moving pictures the usual suspects are titles like Scarface (Future), Hoodlum (Gang Starr) or The Wire (Eminem). But Seinfeld? Yes, emanating from speakers around the block will be The Album About Nothing, Wale’s fourth solo studio output inspired by the ‘90s sitcom set in New York City’s Upper West Side. It’s not the “summer of George” it is the winter of Wale. Seinfeld’s cultural impact doesn’t just currently touch upon Wale’s music, it has informed the fashion movement called “normcore.” The New York Times fashion pages describe the style as, “Dressing like a tourist—non-ironic sweatshirts, white sneakers and Jerry Seinfeld-like dad jeans—is the ultimate fashion statement.” We styled Wale with subtle elements of normcore but there were no Manssieres, Urban Sombreros or Puffy Shirts. Here’s how to embrace the seminal sitcom without looking like a hipster doofus. THE MAESTRO “I just can’t wait for The Album About Nothing to drop. I am excited for it to get out so that I can go out and perform it.” MASTER OF MY DOMAIN “I’m singing most of my own hooks. I feel like I am growing as an artist and I’m not trying to be needy with putting other people on.” THAT’S GOLD, WALE! GOLD! “With this album I’m appeasing my fans trying to make sure they are fucking with what I am doing. I’m going back to things from topics to rap styles that I used to do earlier in my music career that I built my fan base from.” SHRINKAGE “I was inspired by how Jerry would take a small idea and then blow it up. In the way he does dialogue I do lyrics. Jerry is even impressed by how I take one sentence and blow it up into something completely different.” SEINFELD, YOU MAGNIFICENT BASTARD! “What I respect the most out of Jerry is that he is a very consistent dude.” LITTLE JERRY SEINFELD “He is in the entertainment business and I listen to him in the same way that I listen to the old hustlers from around-the-way. He is very wise and a very successful man that everybody should listen to.” THE WAIT OUT “I’ve only been getting tattooed for four years now. I always wanted them I always saw people with tattoos around-the-way, but I didn’t just want to get them. I wanted to have money to get the top-level guys. And when I did get the money I went to Nikko [Hurtado] and went to Randy from Tattoos by Randy. I just go to guys who really live and die for this tattoo stuff.” PLUNGE WORTHY “I got the Dead Presidents from the movie. That is about a whole, taking what you have to do to live tip. I have The Penalty of Leadership. I have the Scarface line, ‘I often wish I could save every one but I’m a dreamer.’ That was big, he was the first person to get on where I’m from. A lot of people look to me like I’m the savior to fix everything and I have spent so much of my life to do that.” NOT A VAN BUREN BOY “I’m so dark that you don’t even know I am tattooed until you see me up close. But I’ve got tattoos of Martin Luther King, Muhammed Ali, Malcom X, Tupac and Biggie—people that give me an indescribable feeling when I think about them.” JUST REMEMBER, WHEN YOU CONTROL WIKIPEDIA, YOU CONTROL…INFORMATION “Some troll keeps putting that I have Chris Cooley [former Redskins player] tattooed on me. You delete it and they bring it back—it’s so stupid.” INKSAPPEAL “I love tattoos on girls, mostly on the neck and the upper-breast.” MAN HANDS “I don’t know how far I am going with this tattoo thing. I might do my hands if I have some children or something like that.” GIDDY-UP “For right now I have Nikko working on my next piece and I am excited to have The Album About Nothing to come out so that my fans can be fucking with what I’m doing.”

LORD’S EYE | WHO SAYS A TATTOO IS FOREVER?


This was the only tattoo Josh Lord had ever wanted to remove. He had already been through two sessions, but the offending party was still noticeably dark on his wrist. He would need at least two, likely three more sessions. Ariel Lasevoli, the esthetician who would be doing the laser removal on them today, looked like she was 19, although she must have been a few years older, given her resume. In addition to being an esthetician, Ariel was also an acrobat, and certified personal trainer at Crunch Gym on East 34th street in Manhattan. “Where are you from?” Buffalo asked her. “New York. Chelsea.” She said, not looking up from Josh’s wrist, which she was shaving so as to avoid the funky burnt hair smell that comes with laser removal if you don’t shave first. “Did you have to get certified to do this?” Buffalo asked as innocently as he could. She was annoyed by the question. “Yeah, I’m an esthetician. And then I tacked on a laser certification on top of that.” Who was this guy getting her to work for free under the guise of writing some piece for Inked? It smelled fishy. She turned her attention back to Josh. “Do you want to do the whole thing today?” “Yeah. Do you think it’s a bad idea?” Josh seemed perhaps a twinge uneasy for the first time since Buffalo had met him a year and a half earlier, when they had first started this piece on his shoulder. “No,” she said it with a calming authority. “And I’ll avoid the white as much as possible.” Why does white always hurt more than any other color, both when going in, and apparently coming out? Buffalo wondered. Was there some racial metaphor to be drawn from this? “So, what does it feel like?” Buffalo asked Lord, trying not to sound like a complete pussy. “It’s a little different for me than everyone describes. I actually thought it hurt a little bit less than getting a tattoo. Almost everyone else thinks it hurts a little more.” “But it’s in the same ball park of pain?” Buffalo was trying to get scientific about it. He had always found that when you try to define the pain you are feeling in the moment, you diminish it. “Yeah, it’s similar. You’ve done it before. Haven’t you?” Both Buffalo and Ariel answered “No” at the same time. She could tell from one look at him that Buffalo had never had any ink removed. She could also tell that he was uneasy, maybe even nervous. “Oh, right, it’s your first sitting,” Josh said, as if there would need to be more than one. “How many sessions do you think we’ll need to do before you can work your magic and finish this piece?” It had been a year and a half at this point and Buffalo, like everyone else involved, had become worried that it would never be done. Rocky, Buffalo’s editor, had forgotten about the assignment so long ago at this point, that he wasn’t even pissed off anymore that he had wasted his time and connected Buffalo and Josh with nothing to show for it. “I mean, only a couple,” Ariel said, eyeing the tiny tat he no longer wanted on his body. “I’m gonna say two,” was Josh’s feeling. “How long do I have to wait in between sessions?” Buffalo sensed he was not going to like the answer. “I usually recommend five weeks,” Ariel said with a nonchalance that suggested she had no idea how long this process had already been going on. Buffalo gave her a grim nod. She finished shaving Josh’s wrist and handed him the safety glasses. “So, I need to step out, right?” Buffalo remembered something about the laser causing blindness if one accidentally looked at it without wearing the proper goggles, and she only had two pairs. “Yeah, you can’t see anything or…” Josh had started, but Ariel finished his sentence. “Or you won’t see anything.” Buffalo turned around and went to the other side of the room. The tattoo machine had sounded like a combination of hair clippers and a Harley. But the sound of removal was completely different, more like a snare drum beating out the warm up to a war march. Tap tap tap tap, tap tap tap tap, tap tap tap tap, tap tap tap tap. Buffalo waited as Josh tried to make polite chit chat, but he could hear the sweat in his voice. This obviously hurt Josh a lot more than he had remembered. Which translated in Buffalo’s mind to proof that removing the ink was a fuck load more painful than putting it in. This was confirmed when it was his turn to sit in her chair about fifteen minutes later, when Josh had had all he cared to endure for one session. In his attempt to diminish the pain by defining it, the closest Buffalo came was the thought that it felt like someone was going into his arm with jagged microscopic pliers and ripping out each drop of ink that had been placed there 15 years before. It hurt all right. No two ways about it. But it was perhaps the most fascinating pain Buffalo had ever experienced. As she lasered off each spec of what was once the small tattoo he had designed and gotten with a friend of his named Jaime, a beautiful red head he had known since high-school, Buffalo’s head was suddenly flooded with memories from the moment he had had the ink put in his arm. He assumed the phenomenon was due to the unique experience of feeling pain in exactly the same micro-spots he had felt a similar (although significantly less intense) pain 15 years prior. At the center of pain, is radiance. His father’s line from his novel Ancient Evenings echoed through Buffalo’s head. As her laser ripped out his ink, Buffalo could remember the smell of the artist’s breath (if you could call the guy who had done the simple round design they had brought him an artist). Buffalo recalled how he and Jaime had designed the little tattoo together that day, then walked all over the East Village in search of the tattooer she had in mind. It was a rainy day in New York, cold and mean. Buffalo and Jaime had been friends since they were 16. While in college, he once visited Jaime at her school and the two finally consummated what had always been boiling under the surface of their friendship. As he moved inside the smooth wet warmth she had for him, holding her tight and close and staring into her blue oceans of eyes, they both looked down and smiled at the vision of the tattoos each had on their pelvis (the laughing and crying masks of theater for Jaime on her right, the broken bleeding heart for Buffalo on his left) rubbing up against each other as if the pieces were making their own form of sweet love. That Summer they decided to design a piece together that they would both carry with them for the rest of their lives. But they never found the artist Jaime wanted, and ultimately went with some random dude with with a shaved head who happened to be available at that moment, in a shop neither one of them had heard of. Buffalo went first, of course, chivalrous to a fault as always, and wound up with what was at least a symmetrical tattoo, even if it was not the greatest piece ever known to mankind. (From a distance, it looked like a grey birthmark.) Jaime went next and it quickly became apparent that the dude with the shaved head had unfortunately just gotten lucky with Buffalo’s tattoo. This guy was no artist. Jaime ended up walking out of that shop with the most sloppy tattoo either one of them had ever seen on anyone. Instead of round, it was egg shaped. And the scarring was needless and plentiful. Buffalo had always felt guilty about how that had turned out, even though he knew there was nothing he could have done to alter the outcome, save calling the whole thing off until they found an artist at least one of them knew could do decent work, which neither one was prepared to do. Now they were both stuck with it. Or were they? Several years after they had gotten those tattoos, a miscommunication on the phone lead to a fall out. Like a very bad friend, Buffalo had confused the day of Jaime’s wedding and missed it entirely. For that, she could never forgive him. This was shortly after his father had died and his mother was not doing well, having to have surgery three weeks after his old man had passed. Buffalo was just kind of fucked up at the time, over-worked, and too fried to prevent such a mistake from happening. He had tried to explain this to Jaime, but she was, understandably, not having it. She hung up on him in a cold rage and they had not spoken since. Now he was getting the last remnant of their time together removed from his body. He could not help but wonder if she had ever done the same. Who says all tattoos are forever?

INK GIRLS: WELCOME TO THE COOL WORLD OF RIK LEE


Skateboards, pin-ups, wolves, punk rock, American Traditional, gypsies, flipping the bird….odds are, if you’re reading this, at least half of those phrases made your ears prick up like a dog who hears the word “treat.” Whether you believe tattoos have inspired society or the inverse, one thing can’t be denied: the past few years have bore witness to tattoo culture bursting through the pop culture wall like the Kool-Aid Man with “LIVE FAST” inked on his knuckles. If doe-eyed damsels, sailor tattoos and grinning beasts were the crew of a ship, Rik Lee would be at the helm. “I enjoy the symbolism of certain objects,” he begins, “and the narratives you can achieve through juxtaposing these objects. Over the years I’ve tried to combine these classical influences with my modern interests like skateboarding, tattoo art, punk rock, teen angst and graphic design. I like to focus on the contrasts between my mediums, past and present subcultures, and social trends with a regard for design. Each illustration tends to be a clash of elements and influences that I attempt to present in one cohesive and visually attractive composition.” He’s made his living illustrating tattooed ladies and iconic ink imagery for over a decade, incorporating his love for the subculture that spawned him with the imagery that inspires him. Lee’s work has a cinematic edge to it with each piece feeling like a single frame from a modern day film noir. Lee’s flawless depiction of the female form sets him apart from typical pin-up artists in two very noticeable ways: their beautifully expressive eyes, and the ink that adorns their skin. “As my work developed,” Lee says, “I began to take a real interest in illustrating people. Attempting to capture someone, their character and idiosyncrasies, in quick sketchbook portrait studies. Many of my friends had tattoos so I’d incorporate them into my work. If they didn’t have tattoos, I’d design my own and add them to the piece. I loved it and found it almost impossible to resist drawing tattoos on any exposed skin of these portrait drawings. It’s just something that I’ve continued to develop with my work, trying to improve my illustrations of people while designing and adding tattoos along the way.” Lee is unhindered by a particular style, inking his beauties in Chicano lettering, Japanese iconography, even stick and poke style designs, whatever he feels would serve to compliment both the form of the woman and the story behind her. “I try to match the tattoo style with the subject I’m illustrating and the look I want them to have,” Lee explains. “For example, a while ago I drew a Japanese friend. She doesn’t actually have any tattoos, but she’s a massive Studio Ghibli fan, so I designed a heart-shaped chest piece featuring Totoro for her portrait. More recently I drew a lady with a 1980s inspired punk— No Wave look. I gave her crude, hand-made tattoos because I thought that would be more true to her style than, say, a perfect Japanese style sleeve.” The end result could best be compared to an iconic photo of Audrey Hepburn crossed with that smoking hot chick that bummed a smoke off of you outside a bar last weekend. The mystique that surrounds Lee’s pin-ups shares the same air of intrigue that tattoos, especially Traditional American tattoos, exemplify. We’ve all caught a glimpse of a dagger or a snake peeking out of a cuff or a collar with a name or a quote written around it and immediately began to connect the dots in our mind to fabricate a storyline. The same can be said of Lee’s work. We wonder, what is he trying to express? The mark of a true artist is the ability to simply evoke a complex mental image, “I hope [people] like it!” Lee remarks. “I hope it sparks some interest, some emotion, some inspiration or motivation.”

WILDE ABOUT JESSICA


The only thing tame about mid-century pin-ups was Bettie Page taming a bad girl by putting one over her knee and spanking her. These photos we now think of as classy and glamorous were downright scandalous in their day. The modern day equivalent could be the cam girl. Both Bettie and our girl, Jessica Wilde, have titillated from afar through images and pushed sexuality past society’s collective safe word. It was through the webcam that we fell for the enchantress who also goes by “Tatt Goddess.” The resolution on her videos and selfies didn’t properly reflect the entirety of her beauty so we asked her to pose for our camera as one of the comely pin-ups of yore. “Pin-up is the ultimate image of femininity,” Jessica says. “I love the style and the feel of this genre.” At first she seemed shy for the camera, remarking that this was one of her first professional shoots, and the biggest by far. Even for a girl who bares every inch of herself to men from around the world, she is still just a girl. In order to conjure up her inner-Tatt Goodess while she filled our frame someone suggested she pretend our lens is her laptop camera. “On cam I normally just tell fart jokes,” she answered. She’s funny, beautiful and intelligent. Other than her cam shows she also has a YouTube channel where she waxes on about her life. In her “What I Look For In A Man” installment she says, “There is a stereotype that heavily tattooed women go after big douchebags, I fall for the nerdy guy.” Also, “I want a guy to tell me that I have a fat ass and mean it.” Jessica got her first tattoo at age 13, a butterfly tramp stamp, which seems right for her age and time. Then she cooled off for a while. “I really don’t know where the name Tatt Goddess came from because when I picked that almost five years ago I only had a few tattoos. Maybe I kept getting inked to suit the name?”
Her Japanese sleeve was supposed to be a half-sleeve cover up but she extended it after getting her Alice in Wonderland sleeve to stay even. She designed Alice after seeing Scott Campbell’s work and that character on her thigh is Mara Jade from the Star Wars comics (if you are her type you knew that though). All her stuff is color. “I love how colorful tattoos can still make a woman look feminine,” she says. She has had a few artists work on her but is only trusting to Troy Semkiw of Little Bird Tattoo in Vernon, British Columbia. “People either love or hate them on the cam!” she says. “I get more love for them than bad comments. I feel more beautiful with tattoos—that’s all that matters.” Her most recent piece goes across her hips. “I had a big surgical scar from hip to hip, I debated getting it inked for about two years before I took the plunge and I’m sad I didn’t do it sooner. It’s given me more confidence.” Jessica hopes to give that experience to other women through a fashion line she is launching this year called Naked and Rich. She is collaborating with Russell Von Villafuerte, an Asian designer who was runner-up on Project Runway Philippines. “I think of my girl, my customer, as Sophia—she’s a gorgeous, motivated woman from NYC. She’s all about shopping, power and independence,” Jessica says. “I know I can’t cam forever. I want to show confidence in and out of clothing.”